A movie that somehow makes the birth of modern comedy look both wildly influential and like a complete HR nightmare.
A heist movie where the biggest steal is how this cast somehow makes chaos feel like a perfectly good plan.
A moody Irish horror where Adam Scott proves that yes, even your favorite sitcom guy can absolutely handle the creepy stuff.
I can’t believe this is a real sentence, but there is an incredible moose.
A science teacher wakes up on a spaceship with no memory of how he got there, discovers he’s supposed to save the world, and along the way makes an unexpected friend who believes in him more than he believes in himself.
When a college student realizes nobody’s listening to her arguments about saving a forest, she hijacks a robotic beaver to show them instead.
A podcast host listening to mysterious recordings discovers that you can’t distinguish between genuinely hearing something terrifying and hearing what you’ve been primed to expect to hear.
A man from the future walks into a diner claiming he needs these exact people to save the world, and nobody can quite figure out if he’s a savior or a genius manipulator.
A therapist listening to everyone else’s pain discovers she has no one to listen to hers, and everything begins to collapse.
A master thief, an insurance broker, and a detective each chasing a version of peace that only the hunt itself can provide.