If you have spent any amount of time with Harlan Coben adaptations, you probably know what you’re signing up for with I Will Find You: someone is lying, someone is hiding something, everyone seems to be connected, and by the time you think you have figured out what is happening, another secret gets dropped into the conversation.
And honestly, that is exactly what I wanted from this show.
I Will Find You follows David Burroughs, a father serving a life sentence for the murder of his three year old son, Matthew, a crime he has always maintained he did not commit.
Five years into his sentence, David’s world completely changes when his former sister in law, Rachel, visits him and shows him a photograph from an amusement park that appears to show Matthew alive.
Yes, alive.
That single photograph turns David’s entire reality upside down, because if the child in the photograph really is Matthew, then David has spent five years in prison for a murder that never happened.
And naturally, David decides that the most reasonable course of action is to escape prison and find his son.
This is where the show really gets moving, because what starts as a relatively straightforward search for a missing child quickly becomes a much bigger conspiracy involving family secrets, powerful people, criminals, the FBI, and a whole lot of people who apparently have very good reasons for not wanting David to find Matthew.
If that sounds completely insane, it is.
But this is Harlan Coben, so I don’t think you are supposed to approach I Will Find You expecting everything to be perfectly realistic.
The show is built around the kind of premise that makes you want to keep watching simply because you need to know how all of these seemingly unrelated pieces are eventually going to connect.
And that is probably the biggest strength of the series.
Even when I found myself questioning how David managed to get from point A to point B, or why certain characters were making the decisions they were making, I still wanted to know what happened next.
That is a difficult balance for a thriller to pull off.
The series also benefits from having a central emotional motivation that is incredibly easy to understand.
David isn’t trying to clear his name simply because he wants his freedom.
He believes his son is alive, and he is willing to risk virtually everything to find him.
That makes the increasingly ridiculous circumstances surrounding his journey easier to accept because, at the center of all of the conspiracy and chaos, is a father who has already lost five years with his child and suddenly has reason to believe he might have another chance.
Britt Lower’s Rachel also gets a substantial role in the investigation, and I liked that the show didn’t simply make her someone standing on the sidelines waiting for David to solve everything.
She becomes an active part of the search, using her background as an investigative journalist to chase leads and piece together information that David simply cannot access.
Milo Ventimiglia’s Hayden adds another layer to the story, particularly as David and Rachel’s investigation starts pulling them deeper into a world that is much more dangerous than they initially realize.
And then there is the book.
If you have read Harlan Coben’s I Will Find You, you already know the basic story, but the Netflix series isn’t simply a scene for scene recreation of the novel.
In fact, Coben developed the book and television project in tandem, which is a pretty unusual approach to an adaptation.
The central premise remains intact, but the series expands and reshapes several characters and relationships to give the story more room to breathe across eight episodes.
Rachel has a larger role in the television version, Hayden’s character is developed differently, and even the FBI investigation is reworked for the series.
Some of the changes are subtle, while others become pretty significant by the time you reach the final episodes.
The ending also takes a different path from the book, so even if you have read the novel, you shouldn’t assume you already know exactly how the series is going to wrap everything up.
And I actually think that is one of the better decisions the adaptation makes.
There is nothing worse than watching an adaptation when you already know every single beat that is coming, particularly when the entire appeal of the story is supposed to be the mystery.
Here, the book gives you a roadmap, but the show takes a few detours of its own.
That said, I Will Find You is still very much a Harlan Coben thriller, and that comes with some baggage.
There are moments when the plot becomes almost comically complicated.
Characters have connections to other characters that seem impossible until suddenly they aren’t.
People who seemed completely irrelevant become enormously important.
A seemingly insignificant detail from earlier in the story suddenly becomes the key to everything.
And every time you think the conspiracy has reached its maximum level of ridiculousness, the show finds another level.
For me, that is part of the fun.
I’m not watching a Harlan Coben adaptation because I want a restrained, meticulously realistic crime drama.
I’m watching because I want to spend eight episodes asking myself how on earth all of these people are connected and whether the writers can actually bring all of these storylines together without completely losing the plot.
I Will Find You manages to do that.
Is every twist believable?
Absolutely not.
Did I occasionally have to suspend my disbelief?
Definitely.
Did I care?
Not really.
The show kept moving, the mystery kept evolving, and I wanted to see where David’s search ultimately led.
And perhaps the biggest compliment I can give it is that it made me want to go back and think about the book again.
If you haven’t read I Will Find You, I don’t think you need to before watching the series.
If you have read it, though, I think the adaptation gives you enough changes to make the experience worthwhile rather than simply watching a story you already know play out on screen.
Ultimately, I Will Find You is exactly the kind of show I want when I’m looking for something easy to binge that doesn’t require me to take every single plot point seriously.
It has murder, family secrets, prison escapes, conspiracies, questionable decisions, shady characters, and enough twists to keep you guessing even when you think you’ve figured everything out.
It isn’t highbrow television, and it doesn’t need to be.
Sometimes you just want to turn on Netflix, get sucked into a completely insane mystery, and spend several hours wondering how the hell we’re going to get from a father sees a photograph of his supposedly dead son to whatever the heck is happening by episode eight.
Discover more from itsm3g
Subscribe to get the latest posts sent to your email.
